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Winter Birches

Mar18
2013
Written by Stephen Street

Winter is still hanging on and serving up an occasional chilly mix of Siberian born winds and sporadic heavy snow showers – showers that were here last weekend and then vanished for a while, but have returned today.  The snow is changing though.  Gone are the small, light flakes of deep winter, now I see mostly large, moist flakes that stick to everything, but rapidly melt away at the first hint of sunshine.  I call it ‘claggy’ snow (Eskimos aren’t the only people with lots of different words for snow).  I love it because for a short while after each snow shower everywhere is transformed into a winter wonderland.

I’m drawn to photographing trees against a blue sky as readily as iron filings are to a magnet.  It’s just something that I have to do.  When I found myself among a stand of birch trees clad with claggy snow on a bright day peppered with snow showers, I knew what I would end up doing.

There is more to taking this type of photograph than simply looking up.  Trying to find a composition that balances interesting bare tree canopies with patches of open sky is definitely more of an art than a science.  Sometimes it will come together almost immediately, while at other times it takes a lot of walking around and neck stretching, and sometimes it doesn’t come together at all.

In this case, while looking for an interesting viewpoint, I found myself getting lower and lower.  First I crouched and then I was on my knees, eventually I lay on my back.  Looking up I could see that while blue sky is nice, a bit of snow falling would be better.  As I lay there, and as if on-cue, a gentle gust of frigid air shook the tree tops and snow began to fall, and I started taking photographs.

Plop! A lump of snow landed on my camera lens and obliterated my view. Disappointed, I moved my camera to one side so that I could look at it and clear away the snow. Plop!  Another lump landed on my spectacles, blinding me for a second time.  Holding my camera in my right hand I lifted off my specs to shake them with my left.  Plop! A third lump landed in my eye.

Jumping up, I de-frosted my eyeball, wiped my specs clear and dried my lens while remembering some of my mother’s wise words.  ‘Son, be careful what you wish for.’

Posted in Out & About - Tagged snow, winter, woodland

Polarising Rowan

Nov01
2012
Written by Stephen Street

Rowan tree mosaic

I’ve just returned home a little bit tired but very happy.  Last week was spent in bonny Scotland at its bonniest time of the year; autumn.  I found that Scotland was liberally decorated with nature’s crown jewels.  Jewels such as this berry laden rowan tree.  Attracted by the gold and red colours contrasting nicely with pale green delicate lichens and stark grey bark, I couldn’t take my eyes off it or turn my camera away.  I think that it’s a fine looking tree.

If I cracked open a fresh box of 100 photographers and asked them for their opinion I suspect a few would say that they don’t like this photograph, a few would show excellent taste and agree with me and the majority would fall somewhere between these two extremes.  However, no matter where they fell on the Bell Curve, I’m sure most would agree that the image has at least a slight degree of merit.

Rowan tree burstAllowing my inner artist to break out I came up with a different kind of image.  Now if I asked those 100 photographers the same question I would normally expect two kinds of response; ‘love it’, ‘hate it’.  In fact I’d expect the Bell Curve to be turned upside down, with no middle ground and everyone pushed towards the edges.  That’s just the way things seem to be.  It’s interesting to note how doing something as simple as adjusting a lens during exposure can have such a polarising effect.  And I thought that I needed a special filter for that.

Posted in Out & About - Tagged abstract, autumn, berries, colour, leaves, Scotland

Tints of Autumn

Oct11
2012
Written by Stephen Street

Great news!  It’s going to be a glorious autumn.  We are about to reap the due reward for squelching our way through a relentlessly wet summer.  I have learnt that the extended wet period should delay the onset of autumn colour changes.  When they do come, it will be in a headlong rush of brilliant colour.  How do I know this?  What was my reliable source?  I’m sure you will understand that it’s not good form to reveal one’s sources, so let’s keep this between ourselves; I read about it in a newspaper.

So, when will this wonderful thing happen?  Like most outdoor photographers at this time of the year, I’m driving around with one eye permanently on the surrounding trees.  What do I see?  I see spots of interesting colour appearing here and there (as seen in the above photograph that I took recently in Raisdale), just as I normally do during October, with no sign of an unusually bold colour blitz on the horizon.

Of course it will probably come together all at once somewhere, it usually does, but I think that it’s misleading to claim that’s the way it’s going to be everywhere in the UK.  It certainly doesn’t seem to be shaping up for a massive colour blast near to where I live.

Call me old fashioned, but by the time that I’d finished reading this news item I had slipped into cynical mode.  As much as I hope it turns out to be true, I found myself thinking that the one thing that could definitely be gleaned from reading the article is that it must have been a slow news day.

Posted in Out & About - Tagged autumn, movement, North York Moors NP

Tree Hugger

May15
2012
Written by Stephen Street

Spring is always full of surprises, I mean, how many people expected April to be oh so very wet?  One thing that always seems to surprise me is how far into spring we get before tress come into their own.  I often think of spring happening quickly, but it doesn’t.  It comes in clearly defined stages (snowdrops then primroses then daffodils etc.); steadily at first before building up to a mad rush in May.  Why the rush?  Well, that’s typically when fresh and almost luminous leaves really begin to burst forth, and greedily steal light from anything growing below them.

At this point my inner tree hugger, which has patiently lain dormant through the depths of winter, bursts free.  Add a touch of nice light and I’m high as a kite and at risk of an endorphin overdose.

The old compositional adage of ‘keep it simple’ has stood the test of time and is well worth remembering, but doesn’t need to be slavishly followed.  When it comes to woodlands I often go for the exact opposite, I try to fill the frame with detail.  I love scrutinising the infinite patterns and picking out tiny but fascinating elements.  I get as much pleasure exploring these subjects now as I did when using a kaleidoscope as a child.  But that’s just me.

Posted in Out & About - Tagged spring, woodland

Critical Critique

Mar21
2012
Written by Stephen Street

Photographs are nothing more than either an ink stained sheet of paper or a string of 1’s and 0’s in a digital file.  Well, that’s one point of view.  A more significant view is that they are a bridge between the photographer’s vision and skill, and an audience’s hearts and minds.  And every single member of that audience may get a completely different impression.  This is the tightrope we photographers walk, as we pour our selves into creating the best photographs that we can.

In my experience the most successful photographers generally have a number of defining characteristics, but having a fragile ego is not one of them.  At this point I recall something I read somewhere, sometime, “The intention of the artist does not dictate the reaction of the audience”.   All we can do is offer up our meagre efforts, hope for the best and weather any criticisms that come our way.

Naturally we want to try and skew the Bell Curve of our audience’s reception in our favour, so it helps to have a touchstone for reference, someone we can turn to for an honest opinion.  I’m married to mine. It’s good to get critical input away from the public glare, even if I don’t always like what I hear.  What makes my wife’s input so valuable is that she is not a photographer and has no desire at all to be one.  Hers is a real-world appraisal. The differences in our points of view can be interesting in themselves.

When she first saw me messing around with the photograph that opened this post I described it as artistic; she dismissed it with a simple “It’s blurred”.

Here are a few more examples of my offerings and her valued critiques:
“It’s in its habitat” – “It’s too small”.
“It’s nature in the raw” – “It’s viscous and horrible to look at”.
“It’s low key” – “It’s too dark and I can’t see it.”
“It’s high key” – “It looks washed out”.
And finally, “It’s boring and chocolate boxy” – “It’s lovely”.

Posted in Just thinkin' - Tagged abstract, b+w, critique

Flashbacks

Feb11
2012
Written by Stephen Street

So there I am, digging through my archives and picking our some pictures for a project that I’m working on.  These are pictures that I haven’t given any thought to for some time, years in fact and bam!  I’m back there in an instant.  Memories rush in and once again I can feel cool evening air nipping at my ear lobes, while an early autumn musk fills my nostrils.  In my mind’s eye I can picture myself adjusting the position and height of my tripod, and looking down to make sure I’m not going to kneel on any sharp stones before getting down, dirty, and two damp knees.

A short while later I’m standing at the very edge of a river bank, carefully making sure that I don’t go over the rim.  The sun has dropped below the skyline, changing nature’s palette completely, out go golden tints and in come hues of blue, and now it’s beyond cool, it’s cold.  Mist is beginning to creep between pale tree trunks and another picture is screaming out to be taken.  While paying particular attention to a double-bubble spirit level, because I don’t want this river to run off at a weird angle, all of my concentration was fixed on my camera.  That’s why I didn’t see a beaver in the encroaching dusk that had obviously seen me; I just heard a tail slap on water and saw teasing ripples fan out and fade away.

Photography keeps doing this to me and I love it.

Posted in Out & About - Tagged river, scenic, woodland
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