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Spring Favourites

May07
2013
Written by Stephen Street

It had been mostly clear overnight and a cold, bright morning followed.  A slight frost hugged the ground in sheltered places, a frost that melted away within minutes of sunrise.  I scraped a thin layer of ice from my windscreen so that I could see clearly and set out in search of curlews.

This may prove to be a good year for curlew photography, there are plenty of birds around, at times their burbling calls fill the skies and I’ve even had the pleasure of watching and listening as one flew low overhead while I was standing in my garden.

So there I was, driving along at a snails pace and checking out a few spots that I thought offered the best potential.  With one hand on my steering wheel and one on my camera I was ready.  Did I get to photograph any curlews?  No I didn’t.  They were poorly sighted, too far away, or unsettled by the sight of a car at such a ridiculously early hour and refused to co-operate.  I was beginning to think that I wasting my time and should have stayed in bed, like every sane person in the land was probably doing.  Then I spotted another spring favourite of mine.

A few wheatears were foraging around a couple of small boulders that were lying among clumps of heather.  Gently slowing to a halt (which doesn’t take long from a snails pace), I placed myself carefully for what I thought would make a nice picture and waited.  Thankfully, the birds didn’t disappear at the first sight of me, which is what usually happens.  My patience paid off and eventually I took what I consider to be the photograph of the morning – a very smart looking Mr. Wheatear posing on an equally interesting looking rock.  That will do nicely thank you; time for breakfast.

Tagged bird, North York Moors NP, spring, wheatear

Young Buns

Apr13
2013
Written by Stephen Street

In the depths of winter rabbits are regular visitors to our garden.  After hopping through a bunny sized gap in our fencing, a seasoned visitor will nonchalantly graze around the borders, no doubt enjoying a change from chomping on boring old grass.  While an enthusiastic ‘real’ gardener would have an episode of apoplexy at the thought of this, we don’t mind.  Our garden is very loosely managed, specifically to encourage wildlife to visit.

As winter finally shows signs of releasing its icy grip and hints of spring start appearing, things begin to change.  The first change that I usually notice is how, little by little, daylight becomes stronger.  The second is how animal and bird behaviour changes, even our crazy free-range chickens aren’t immune to this.  Where rabbits are concerned, I’ve noticed that youngsters are more often seen.  I suspect that during times of harsh weather, young rabbits don’t venture forth until they are already well on their way to adulthood.  By mid-April I see them almost every day.

Of course this effect isn’t just confined to my garden, it’s happening all over the place – up on the moor and down in the valley. However, rabbits may be more plentiful on the ground but that doesn’t make them any easier to photograph.  They are best described as being of a nervous disposition.  Why?  Well, foxes and stoats can attack from ground level while buzzards can swoop from above, and no farmer worth his salt would pass up on the opportunity of discharging his shotgun in a rabbit’s direction.  If I felt that I was on everybody else’s menu, I’d be nervous too.

Yet this is a good time for me to get out and try some rabbit photography, and there are a couple of very good reasons why this is so. Reason one is that young buns (and the younger the better) have yet to develop their natural wariness of anything larger than themselves.  So the chances of getting close are much improved.  Reason two is even better – they look so cute.

 

Tagged cute, rabbit, spring

Look Back

Apr01
2013
Written by Stephen Street

I recently spent a morning session down on the beach. I was back at one of my favourite locations, Saltwick Bay.  All of that sea air, carried on a fresh breeze that is typical of this time of the year, certainly woke me up and made me feel well and truly alive.  Beaches are good for that.

Eventually the sun had risen to a point where light was losing its warmth and becoming a little too harsh for my liking.  That was my signal to head back home for breakfast; that and the fact that my stomach was beginning to think that my throat had been cut.  That’s another thing that beaches are good for, losing track of time.

Part way along the beach I noticed a subtle change in the light.  It had become a touch warmer again.  Turning around I saw the sun shinning through a thin haze that had softened and yellowed the light a little.  It glanced off pebble strewn sand and created an effect that appealed to my creative eye.   Quickly I got my camera back out and took another shot.  Some motivational speakers say that you should never look back.  Photographically, I say that you regularly should.  Some of my favourite photographs have been spotted simply because I took the time to stop, turn around and look back.

Tagged abstract, coast, patterns, Saltwick Bay, sunrise

Winter Birches

Mar18
2013
Written by Stephen Street

Winter is still hanging on and serving up an occasional chilly mix of Siberian born winds and sporadic heavy snow showers – showers that were here last weekend and then vanished for a while, but have returned today.  The snow is changing though.  Gone are the small, light flakes of deep winter, now I see mostly large, moist flakes that stick to everything, but rapidly melt away at the first hint of sunshine.  I call it ‘claggy’ snow (Eskimos aren’t the only people with lots of different words for snow).  I love it because for a short while after each snow shower everywhere is transformed into a winter wonderland.

I’m drawn to photographing trees against a blue sky as readily as iron filings are to a magnet.  It’s just something that I have to do.  When I found myself among a stand of birch trees clad with claggy snow on a bright day peppered with snow showers, I knew what I would end up doing.

There is more to taking this type of photograph than simply looking up.  Trying to find a composition that balances interesting bare tree canopies with patches of open sky is definitely more of an art than a science.  Sometimes it will come together almost immediately, while at other times it takes a lot of walking around and neck stretching, and sometimes it doesn’t come together at all.

In this case, while looking for an interesting viewpoint, I found myself getting lower and lower.  First I crouched and then I was on my knees, eventually I lay on my back.  Looking up I could see that while blue sky is nice, a bit of snow falling would be better.  As I lay there, and as if on-cue, a gentle gust of frigid air shook the tree tops and snow began to fall, and I started taking photographs.

Plop! A lump of snow landed on my camera lens and obliterated my view. Disappointed, I moved my camera to one side so that I could look at it and clear away the snow. Plop!  Another lump landed on my spectacles, blinding me for a second time.  Holding my camera in my right hand I lifted off my specs to shake them with my left.  Plop! A third lump landed in my eye.

Jumping up, I de-frosted my eyeball, wiped my specs clear and dried my lens while remembering some of my mother’s wise words.  ‘Son, be careful what you wish for.’

Tagged snow, tree, winter, woodland

Eye to Eye

Mar06
2013
Written by Stephen Street

Croakers, Flappers and Runners; the three most common game birds encountered around the North York Moors are pheasant, red-legged partridge and red grouse, and each have their own way of responding to intruders.

Grouse are noisy birds that usually fly away as soon as you enter their discomfort zone, which can sometimes be a surprisingly long way away. After taking off with an explosive burst of energy, they will typically flap a little and glide a lot before noisily landing a good way off.  Partridges seem to think that flying is for the birds and normally run at high speed into the nearest bit of cover, and then just keep on running.  Pheasants, blessed with a brain the size of a pea, can’t seem to make their mind up and sometimes they will fly and sometimes they will run.  However, if you come upon one without warning, as I did here on my most recent outing, their favourite strategy is to lie low and hope that the danger passes them by.

So there we were, waiting to see who would make the first move, frozen like two statues in a staring competition.  We were fixed eye to eye, or more accurately, eye to telephoto lens, for what felt like a lifetime, but was probably less than ten minutes before Mr. Pheasant decided that I wasn’t much of a threat after all.  He stood up, gave me a quizzical ‘What’s your game?’ kind of look and then leisurely sauntered off, melting rapidly away into long grass.

Tagged North York Moors NP, patience, pheasant

The Qt-Factor

Feb22
2013
Written by Stephen Street

I was in Scotland, it was snowing, I had a 350 miles drive ahead of me and I was asked if I’d like to use a red squirrel hide.  What would you do?

Red SquirrelDrama, action, wow!  If a photograph has got it you are going to make people stop in their tracks and look for more than a millisecond before moving on.  What do we call it, this distillation of attention grabbing stuff?  The X-factor?  When it comes to photographing wildlife one thing never to be overlooked is just how cute your subject is.  Here in the UK red squirrels adorned with winter ear tufts must be near the very top of the cutie ranking charts.

These high-speed balls of fur leap from pine tree to pine tree with an agility that makes Spider Man look like an amateur and can appear as if from nowhere.  I sat in the hide trying to be as quiet as a mouse, while constantly scanning the woodland in front of me for any sign of movement, but it was mostly the faint sound of sharp claws scratching on rough bark that gave them away first.  Even so, they would suddenly pop into view, do their thing and then disappear as quickly as they had arrived.  This meant of course that I couldn’t relax for a second.

There is always one question to be answered when photographing a subject such as red squirrels, do I go in close for a full-frame in-your-face effect, or do I back off and give them some space in the picture?  Naturally I covered both options and found that I preferred overall the pictures where a squirrel was smaller in the frame.  This is very much a personal preference and you may find that your mileage varies.

Red SquirrelAfter a couple of hours I had to go, it was time to hit the road.  I was very satisfied with the photographs that I’d taken and I am utterly convinced that as good as the X-factor is for photography, the Cutie-factor is an equally worthy alternative.

Tagged cute, hide photography, mammal, snow, squirrel, winter
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© Peter CairnsThis occasional blog is a tasty serving of nature and wildlife photography, with a side dish of my experiences out in the field and lightly seasoned with any random thoughts that occur to me along the way.

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